Women's Voices in Ukrainian Literature
Lovingly dedicated to our mother
Sonia Melnyk Stratychuk
whose indomitable spirit inspired this series
Introduction to the Series
The turn of the century marks a pause in time—a pause that impels us to
take stock, assess the extent and significance of societal changes, and make sense of our
individual and collective experience. When the end of a century coincides with the
millennium, this need to engage in retrospective analyses is intensified.
The purpose of this series is to make accessible to English readers the
selected works of Ukrainian women writers, most of whom have not been previously
translated into English, and, in so doing, enhance our understanding of women's slow,
difficult and ongoing trek to political, economic and social equality—a trek on which
women in Ukraine embarked over a century ago.
The works selected range from vignettes and sketches to novelettes and
novels. Together they constitute an unsystematic but compelling social history of an era
during which the mortar of social mores, religious beliefs, and gender distinctions began
to crumble as successive political and ideological cataclysms wreaked havoc with
time-honoured personal and societal relations.
The authors are not equally talented or skilled. What they have in common
is an appreciation of the power of literature, be it as an avenue of self-actualization or
a vehicle of social activism. In addition to national, political, and educational issues,
they address matters of gender which cut across ethnic and social divisions, and explore
the power and often devastating consequences of social conditioning.
They do not, of course, speak with one voice. For some, women's concerns
are overshadowed by larger issues of political freedom, cultural autonomy, and
socio-economic reform. Their goals range from group emancipation to individual freedom,
with many initially defining their emerging status in terms of a synthesis of traditional
female roles, immediate community responsibilities, and more general humanitarian
imperatives.
More importantly, whatever the subject matter, they observe and experience
from a female perspective. They intuitively understand that women forge their identities
in the context of relationships, appreciate the power inherent in this need for
connectedness and emotional wholeness, and demonstrate a keen sensitivity to both the
promise and the human cost of change.
Their voices are loud and strong, what they have to say is worth hearing,
and their impact should not be confined to one time or place. Translating their stories
into English permits their message to transcend temporal and geographical boundaries.
The difficulties inherent in the process of translation were compounded by
textual variations and vexing problems of transliteration. In the case of the earlier
works, there were two other problems: archaic and dialectal language, and nineteenth
century stylistic conventions. Ultimately, it was the criterion of readability that
informed the many difficult decisions that had to be made.
A biographical note about each author anchors her writings in a social and
historical context. No other analyses are provided; the works are allowed to speak for
themselves.
Sonia Morris, Editor
Roma Franko, Translator
Selected Prose Fiction by
Olena Pchilka (1849-1930)
Nataliya Kobrynska (1855-1920)
Selected Prose Fiction by
Dniprova Chayka (1861-1927)
Lyubov Yanovska (1861-1933)
Selected Prose Fiction by
Olha Kobylianska (1863-1942)
Yevheniya Yaroshynska (1868-1904)
Selected Prose Fiction by
Hrytsko Hryhorenko (1867-1924)
Lesya Ukrainka (1871-1913)
Selected Prose Fiction by
Olha Kobylianska (1863-1942)
Olena Pchilka (1849-1930)
Nataliya Kobrynska (1855-1920)
Lyubov Yanovska (1861-1933)
Hrytsko Hryhorenko (1867-1924)
Lesya Ukrainka (1871-1913)
Selected Prose Fiction by
Olena Pchilka (1849-1930)
Nataliya Kobrynska (1855-1920)
Lyubov Yanovska (1861-1933)
Olha Kobylianska (1863-1942)
Yevheniya Yaroshynska (1868-1904)
Hrytsko Hryhorenko (1867-1924)
Lesya Ukrainka (1871-1913)
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